Type |
early romantic guitar |
Bracing pattern |
parallel, Étienne Laprévotte (? - 1856) design ~1835 |
Scale length |
645.0 [mm] |
String spacing - at the saddle |
12.0 [mm] |
String spacing - at the nut |
8.1 [mm] |
String action - 12th fret, 1st string |
3.7 [mm] |
String action - 12th fret, 6th string |
4.1 [mm] |
Nut width |
48.0 [mm] |
Length of 12th fret |
58.0 [mm] |
Upper bout |
210 [mm] |
Waist bout |
160 [mm] |
Lower bout |
281 [mm] |
Tuning mechanism |
Wittner internally mechanized pegs, gear ratio 1:8.5 |
String action adjustment |
by adjusting the height of the nut and saddle |
Additional neck reinforcement |
- |
Number of frets |
17 |
Fretwire |
T-profile |
Armrest |
- |
Weight |
1.08 [kg] |
Top |
European spruce (Picea abies) |
Back and sides |
European ash (Fraxinus excelsior) |
Back and sides veneer |
flamed maple (Acer pseudoplatanus) |
Braces |
European spruce (Picea abies) |
Binding inner |
spruce (Picea) |
Binding outer |
fumed European oak (Quercus robur) |
Rosette |
- |
Fingerboard |
fumed sweet cherry (Prunus avium) |
Neck |
maple (Acer) |
Heel |
maple (Acer) |
Head |
maple (Acer) |
Headplate |
- |
Nut |
European boxwood (Buxus sempervirens) |
Tuners / tuning pegs |
composite material |
Bridge |
fumed blackthorn (Prunus spinosa) |
Bridge pins |
European boxwood, plain |
Endpin |
European boxwood (Buxus sempervirens) |
Saddle |
brass |
Frets |
brass |
Armrest |
- |
Glue |
traditional animal glue, modern synthetic glue (combination) |