Type |
modern classical guitar |
Bracing pattern |
fan pattern, José Luis Romanillos (1932 - 2022) design ~1973 |
Scale length |
650.0 [mm] |
String spacing - at the saddle |
11.5 [mm] |
String spacing - at the nut |
8.7 [mm] |
String action - 12th fret, 1st string |
3.0 [mm] |
String action - 12th fret, 6th string |
3.5 [mm] |
Nut width |
52.0 [mm] |
Length of 12th fret |
63.0 [mm] |
Upper bout |
278 [mm] |
Waist bout |
236 [mm] |
Lower bout |
362 [mm] |
Tuning mechanism |
Thomas Rubner machine tuner, with RubnerRoll rollers and ball bearing mounted shaft |
String action adjustment |
by adjusting the height of the nut and saddle |
Additional neck reinforcement |
carbon fiber rod |
Number of frets |
19 |
Fretwire |
T-profile |
Armrest |
ergonomically shaped armrest with an overlap of 1 to 2 [cm] above the top |
Weight |
1.585 [kg] |
Top |
red cedar (Thuja plicata) |
Back and sides |
Purpleheart (Peltogyne pubescens) |
Back and sides veneer |
- |
Braces |
spruce (Picea) |
Binding inner |
spruce (Picea) |
Binding outer |
combination of decorative veneer strips |
Rosette |
Purpleheart (Peltogyne pubescens) |
Fingerboard |
ebony (Diospyros) |
Neck |
Spanish cedar (Cedrela odorata) |
Heel |
Spanish cedar (Cedrela odorata) |
Head |
Spanish cedar (Cedrela odorata) |
Headplate |
Purpleheart (Peltogyne pubescens) |
Nut |
bone |
Tuners / tuning pegs |
- |
Bridge |
ebony (Diospyros) |
Bridge pins |
- |
Endpin |
- |
Saddle |
bone |
Frets |
18% nickel silver |
Armrest |
common walnut / Persian walnut (Juglans regia) |
Glue |
modern synthetic glue |